290 points by po 1 day ago | 108 comments
bondarchuk 1 day ago
What's even better, though, is a coupled knob + jack where the knob turns into an attenuator for the input when a cable is plugged in, and works as a standalone knob otherwise. I think this is quite a common design.
I believe I've also seen patch cables with built-in attenuators.
enneff 17 hours ago
Eg: https://intellijel.com/downloads/manuals/rubicon_manual.pdf
kennywinker 22 hours ago
robotresearcher 21 hours ago
BlandDuck 21 hours ago
My preference is: attenuator < offset < attenuator + offset. I see no benefit of having to remove the knob to get to the jack as proposed in the article.
nine_k 17 hours ago
malthaus 20 hours ago
it packs a ridiculous amount of functionality into a single plug & knob combo
dimal 20 hours ago
He's right about the interface being the point of Eurorack. Plugging things into other things is the whole point. When I have a module that has hidden state, I forget what state it's in or what the knobs mean. I end up avoiding those modules. With cables and knobs, I can see the state of the whole system. I need good cable management to make sure it's not spaghetti, but I already do that in code already, and it's not that different.
joemi 23 hours ago
anigbrowl 13 hours ago
the nice thing about E-my synths was that they nearly all had big modulation matrices included, although users were often defeated by the 2-line LCD on their romplers. But one strange omission from the modulation destinations was filter resonance; all their later modules included a huge (arguably excessive) selection of filter types, but for reasons of computational efficiency you could not adjust the resonance while a note was playing. This wasn't too bad from the front panel because most people want to ride the cutoff rather than the Q, but the inability to modulate it inadvertently highlighted some limitations of the filter design.
I can see both sides, as I am a 'let me modulate everything' person when choosing gear but at the same time I quite admire 'opinionated' synth designs where flexibility is traded off against maximizing sweet spots. Sometimes it's better to have an instrument with limited sonic range but which responds very consistently within that, so 'you can't get a bad sound out of it'.
adrianmonk 10 hours ago
Alternatively, Eurorack uses TS jacks as connectors for control voltage inputs, right? If you build a module with a TRS jack instead, you have an extra pin (R) that you can connect a removable potentiometer + knob to. And you can still plug in regular TS cables.
(Note: the article uses "TRS" loosely when it means "TS". I mean them literally.)
raphman 5 hours ago
Just to nitpick the nitpicker: the knob's shaft needs to be longer than 15 mm, right? "3.5 mm" is the diameter, not the length of a small T(R)S jack.